Här är: STATE OF GRACE
Preview: STATE OF GRACE
7 dagar kvar tills RED!
8 dagar kvar tills RED!
9 dagar kvar tills RED!
Red Deluxe - Track list
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State of Grace
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Red
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Treacherous
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I Knew You Were Trouble
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All Too Well
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22
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I Almost Do
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We Are Never Ever Getting Back Together
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Stay Stay Stay
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The Last Time
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Holy Ground
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Sad Beautiful Tragic
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The Lucky One
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Everything Has Changed
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Starlight
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Begin Again
Target Deluxe Bonus Tracks
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The Moment I Knew
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Come Back... Be Here
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Girl At Home
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Treacherous (Original Demo Recording)
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Red (Original Demo Recording)
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State of Grace (Acoustic Version)
10 dagar kvar tills RED!
Här är: "I Knew You Were Trouble"
once upon a time a few mistakes ago
i was in your sights you got me alone
you found me you found me, you found me
i guess you didn’t care, and i guess i liked that
and when i fell hard you took a step back
without me without me, without me
and he’s long gone when he’s next to me
and i realize the blame is on me
cuz i knew you were trouble when you walked in
so shame on me now
flew me to places i’ve never been
till you put me down oh
i knew you were trouble when you walked in
so shame on me now
flew me to places i’ve never been
now i’m lying on the cold hard ground
oh oh trouble trouble trouble
oh oh trouble trouble trouble
no apologies, he’ll never see you cry
pretend he doesn’t know, that he’s the reason why
you’re drowning, you’re drowning, you’re drowning
heard you moved on, from whispers on the street
a new notch in your belt is all i’ll ever be
and now i see, now i see, now i see
he was long gone when he met me
and i realize the joke is on me
cuz i knew you were trouble when you walked in
so shame on me now
flew me to places i’ve never been
till you put me down oh
i knew you were trouble when you walked in
so shame on me now
flew me to places i’ve never been
now i’m lying on the cold hard ground
oh oh trouble trouble trouble
oh oh trouble trouble trouble
and the saddest fear comes creeping in
that you neve loved me, or her, or anyone
or anything, yeah
i knew you were trouble when you walked in
so shame on me now
flew me to places i’ve never been
till you put me down oh
i knew you were trouble when you walked in
so shame on me now
flew me to places i’ve never been
now i’m lying on the cold hard ground
oh oh trouble trouble trouble
oh oh trouble trouble trouble
i knew you were trouble when you walked in
trouble trouble trouble
i knew you were trouble when you walked in
trouble trouble trouble
Preview: I Knew You Were Trouble
'Cause I knew you were trouble when you walked in
Shame on me now
Flew me to places I’d never been
'Til you put me down
I knew you were trouble when you walked in
Shame on me now
Flew me to places I’d never been
Now I’m lying on the cold hard ground
Trouble, trouble, trouble
Red Tracklist
RED som vinylskiva släpps i december
Red limited Zine Pack
Zinepack Edition includes the 2CD Deluxe Editon packed as a miniature magazine with plenty of extra Taylor Swift news and exclusive material.
Här är "Red"!
Loving him is like driving a new Maserati down a dead end street
Faster than the wind, passionate as sin, ending so suddenly
Loving him is like trying to change your mind once you’re already flying through the free fall
Like the colors in autumn, so bright, just before they lose it all
Losing him was blue, like I’ve never known
Missing him was dark grey, all alone
Forgetting him was like trying to know somebody you never met
But loving him was red
Loving him was red
Touching him was like realizing all you ever wanted was right there in ront of you
Memorizing him was as easy as knowing all the words to your old favorite song
Fighting with him was like trying to solve a crossword and realizing there’s no right answer
Regretting him was like wishing you’d never found out that love could be that strong
Losing him was blue, like I’ve never known
Missing him was dark grey, all alone
Forgetting him was like trying to know somebody you never met
But loving him was red
Loving him was red
Oh, red
Burning red
Remembering him comes in flashbacks and echoes
Tell myself it’s time now, gotta let go
But moving on from him is impossible when I still see it all in my head
In burning red
Loving him was red
Oh, losing him was blue, like I’ve never known
Missing him was dark grey, all alone
Forgetting him was like trying to know somebody you never met
‘Cause loving him was red
Yeah, yeah red
Burning red
And that’s why he’s spinning around in my head
Comes back to me in burning red
Yeah, yeah
His love was like driving a new Maserati down a dead end street
Låten borde släppas på svenska iTunes senare idag.
Preview av låten "Red"
"Begin Again" - omslagsbild
Scott pratar om Taylors väg mot pop
As for Swift's "Red," out Oct. 22, Borchetta is excited about the singer's stylistic shift to more rock and pop-oriented music. The record features collaborations with Max Martin and Shellback on "Never Ever" as well as Jackknife Lee (U2, R.E.M.), Train's Pat Monahan, UK singer-songwriter Ed Sheeran, producer Jeff Bhasker (fun.'s "We Are Young") and Semisonic's Dan Wilson (Adele's "Someone Like You"), as well as continued work with longtime producer Nathan Chapman and a first-time team-up with Nashville mainstay Dann Huff, who pitched in for a few songs and re-worked "Never Ever" for country radio.Although the latter has helped Swift maintain airplay with her country base, "There was a really specific moment that she and Max Martin and Shellback created and it's very much a pop record. We've never hidden behind what it is," Borchetta says. To that end, there likely won't be a dual commercial release of the song's country version a la Shania Twain's "Up!", her 2002 record that famously featured dual versions of every song to please pop and country fans alike. "As of now we have no plans" to release the country mix of "Never Ever," Borchetta added.
That similar lack of forcing genres translated to the rest of his input on the making of "Red." "We were in the studio pretty early on and the songs she was writing I would say, 'if it's country run toward it, if it's rock run toward it. You have the artistic license.' Our music needs to explore the edges like I feel it always has."
Här är Begin Again!
Took a deep breath in the mirror
He didn’t like it when I wore high heels, but I do
Turned the lock and put my headphones on
He always said he didn’t get this song, but I do, I do
Walked in expecting you to be late
But you got here early
And you stand and wave, I walk to you
You pulled my chair out and helped me in
And you don’t know how nice that is, but I do
And you throw your head back laughing like a little kid
I think it’s strange that you think I’m funny ‘cause he never did
I’ve been spending the last 8 months thinking all love ever does
Is break and burn and end
But on a Wednesday, in a cafe
I watched it begin again
You said you never met one girl
Who had as many James Taylor records as you, but I do
We tell stories and you don’t know why I’m coming off a little shy
But I do
But you throw your head back laughing like a little kid
I think it’s strange that you think I’m funny ‘cause he never did
I’ve been spending the last 8 months thinking all love ever does
Is break and burn and end
But on a Wednesday, in a cafe
I watched it begin again
And we walk down the block to my car
And I almost brought him up
But you start to talk about the movies
That your family watches every single Christmas
And I won't talk about that
For the first time, what’s past is past
‘Cause you throw your head back laughing like a little kid
I think it’s strange that you think I’m funny ‘cause he never did
I’ve been spending the last 8 months thinking all love ever does
Is break and burn and end
Then, on a Wednesday, in a cafe
I watched it begin again
Then, on a Wednesday, in a cafe
I watched it begin again
Preview av "Begin Again"
I think it’s strange that you think I’m funny,
Because he never did
I’ve been spending the last 8 months thinking,
All love ever does is break, burn and end
But on a wednesday in a cafe
I watched it begin again
Två nya låtar bekräftade på RED
During her performance at the iHeart Radio Music Festival in Las Vegas this weekend, Taylor Swift wasn't quite ready to showcase material from her forthcoming album, Red, due out October 22nd. But she is getting close.
"I want to unveil the songs one by one," Swift told Rolling Stone before her set. "Starting this week I’m gonna start unveiling new music." On Monday, the singer/songwriter will reveal a 30-second snippet of a new track on Good Morning America; the song will be available on iTunes the next day.
But Swift is not giving away the whole album prior to release. "I really want there to be so many surprises left on the record for when it comes out eventually, some collaborations that haven’t been talked about and some songs that are definitely what make the album so unique," she said.
The singer performed her new "We Are Never Ever Getting Back Together" at the Vegas show, where she shared a stage with the likes of Aerosmith, Mary J. Blige, Pitbull, Linkin Park and Deadmau5. Swift was a big fan of the diverse bill."When I go watch side-stage, it’s gonna be hit after hit and after hit, watching other artists play," she said. "I want to see Mary J. Blige and I want to definitely get out there to see Pink and Brad Paisley and Aerosmith."
Perhaps she'll also get some ideas for next year's tour for Red, which she is already planning. "When I write a song, the first thing I think about is, 'Okay, this is a message to a person, what are they gonna think when they hear it?'" she said. "The second thing I think of is, 'Ooh, how are we gonna play this in concert? What’s the lighting gonna be like? What costumes are we gonna have?' So the visual part of the story comes to me pretty quickly after I write the song."
There are a few songs on the new album that stand out to Swift when she thinks of their potential visual components. "There’s a song called 'Holy Ground' I’m really excited about, Jeff Bhasker produced it. There’s a song called 'I Knew You Were Trouble' that I wrote with Max Martin and Shellback that I’m stoked about."
Swift contributed music earlier this year to The Hunger Games. As a visual songwriter, what other movies would she have liked to write music for? "I think (500) Days Of Summer was a really inspiring movie for just seeing a visual and trying to write music for that love story," she said.